Monday, March 26, 2007

Closing Plup

This is what I’ll miss. From my smoking spot on the front step of the store I am like a webcam, observing North King Street. From here I engage with the community, and I’ll miss these people, all of them, even the annoying old Greek printer next door, and his sons – the idiot son, who is amiable, and the dapper son who looks like a member of the Mafia. I’ll miss the American architect next door who I talk to about American authors like Phillip Roth, and who always gives me friendly lectures on my smoking, telling me how his father died from it. His own addiction is Coca-Cola – he unloads crates of it every week. I will miss my xerox conversations with Whistle Man, miss hearing my favourite routine, “Whistle Man keeps his eye out for shoplifters and offers them his fist”. I will miss his crazy plans for how I should protect the five dollar books from the wind with panels of clear plastic, and I will miss his estimates of how many books are in the store: “Must be millions, eh?” I will miss the way he terrifies parents by whistling birdsong to their captivated children. The other day he found a magnetic advertising calendar on the footpath and asked me what month it was, was it February? It was March, I told him. The thought of Whistle Man puzzling over the suddenly empty store makes me sad. I will miss the community of shopkeepers: the nice Thai people next door, who I don’t talk to much, but who rescued my five dollar rack the time I idiotically left it out for the night, and who came running in the other day, when there was a blackout, to check if our power was off too. I will miss talking about the state of business on North King Street with Doris at Ice and Slice. I’ll miss Ray, everybody’s favourite customer: an old school gentleman who looks like a broken down roadie, the only customer who ever gave us Christmas cards.

Within these walls I have been through so much, and my feelings about Plup are so mixed. Plup came along at a time when I didn’t know what I was doing and it gave me direction. It helped me to re-engage with people, and then eventually it made me not want to engage with people, and I had to remove it from my mind so I could like people again. What happened was this: I found out that I could never have the store I wanted, that it was too small and the rent too high, so I had to turn over books quickly and cheaply. And mostly what people wanted were the same half-a-dozen books and authors – all those university students I had wanted to please – and those books were all still in print, so you couldn’t ask much for them even when you found them, so I never had them in stock. I found myself telling people constantly, “No, we don’t have that... no, no, no.” I wanted to explain to them that I did understand, that I knew who those authors were, and why they wanted them, and that if I could I would have them available constantly for five dollars. I would try to demonstrate this by answering people’s title requests with the author of the book. “The Vonnegut? No, we don’t have any Vonnegut at the moment.” But this confused people, it elevated their hopes momentarily and dashed them again. And disapointing people, and people’s failure to understand why I couldn't give them the books they wanted, at the price they wanted to pay – the innocent misunderstanding of the customers, which was no different to what my own would once have been – made me turn away from people for a while, and for a while last year it even made me turn away from my friends, so misanthropic had I become. And I had to work to overcome that.

It took me as a person who had romantic ideas about books and literature – a person who would once have been appalled at the thought of destroying books – a person who measured a book’s worth by the merits of the words printed inside it – and overlayed onto that a different value system. The value system was not independent of the worth of the words in a book, because that is always a factor, but there are so many others. For a while I enjoyed this – in many ways I still do – but it changed the way I view books. I developed the bookseller’s gaze – in the presence of a bookshelf I continue talking, but my eyes steadily wander across the shelves, looking for treasures. All booksellers do this.

It gave me a trade that I cherish, an arcane knowledge that I learned well. My knowledge is strong – I am now very good at this, I can find other dealers’ mistakes and profit from them; I can do this in famous second hand bookshops, because everybody makes mistakes, and this is how one measures skill in this trade. Any half-decent bookseller can make money from well-chosen books at a book fair or auction or op shop, but it takes real skill to spot a book that a colleague has grossly undervalued. It is a good thing to have a trade, and I could do this in any English speaking city – give me a few dollars capital, and I wouldn’t starve. Give me an internet connection and I could make a decent weekly wage on Ebay.

It gave me a mentor I greatly value who selflessly imparted to me knowledge, in the manner of trades. And I was a willing and appreciative pupil, and I tried to give back whatever it is that apprentices give to masters that make this timeless transaction mutually worthwhile.

Over drinks one night this mentor helped me work out a plan – a plan to serve my time and gain my knowledge, a plan to acquire a large number of books and catalogue them for internet sale. He told me I was otherwise unemployable, which is his way, and not true, exactly. Except it is, because I wanted to have time to write, because that’s still the thing that is most important to me. And so my plan was to spend a few years acquiring and cataloguing books for internet sale – which is really just an old bookselling tradition made modern, the tradition of the mail order catalogue – so that I would be able to greatly reduce my workload at some future point, and still have a good income based on those years of work, and I would be able to spend my time writing. And it worked, and that’s where I am now, and it’s great. But I didn’t write much in those years, because my head was too filled with work, and I was too tired at the end of the day. And I felt alien to myself for quite a long time. And I don’t know what I might have written in those years if I’d done something else – I’ll never know – and that was hard for me.

And that’s why I have mixed feelings about Plup.

And now the shop is emptying, the catalogued books are all boxed and stored away and we are selling off what’s left of the uncataloguable shelf-stock for a dollar a book, and people are taking it away in great piles. I thought I’d find this sad, but I’ve found myself, the last couple of days, going in to work even when I didn’t need to, to watch it happen. I’ve been more chatty with customers than I have been in quite a while. The acoustics of this place change as the books disapear, it becomes more echoey, and soon this will be distant from me, and this shop will be something new and bland. I have been moved by how many customers have told me they will miss it. Maybe it wasn’t such a bad bookstore after all. There was always something good to read for not very much money, if you were willing to step outside what was currently fashionable with the university set – we were never out of Scott Fitzgerald, J P Donleavy, Lawrence Durrell, and plenty of other people worth reading. And these comments from customers have made me feel good. Sometimes they phrase their appreciation in a specific way that leaves me wordless, an innocent comment that I don’t know how to answer. “It’s a shame you’re going,” they say. I shrug and say some empty platitude; I can’t explain.

Monday, March 19, 2007

Talking with tradesmen

Hey Bree! Hahaha. I talked to Bree in New York this week and she says she checks my blog every day, so I thought I should update. Between closing up the store and trying to do my own writing I haven't had much time or energy left for blogging recently. The store packup continues. I felt a little off-kilter when we first started packing up, worried about my life post-Plup, but since then my thoughts have been less ambivalent, and I'm just looking forward to being done. I know there are things I'll miss about the shop, but it will take a while, I think, before I have enough perspective to write about them.

Today I went out to one of those industrial estates to purchase some rack shelving we need. Such places, and the people who work there, make me nervous, and today I think I figured out why. I think there is a class distinction in Australia - not a particularly rigid or hereditary or even financial one, but there is a cultural gap between people who go to university and work in comparatively professional jobs, and people who do trades, and I'm very concious of it and intimidated by it. One of the areas where you can see this, I think, is that there is a difference in accent - for want of a better word - and more obviously, in language. Those who work in trades talk "mate" language. Now I know plenty of people who can easily slip into talking this way, but I find it very difficult, it always seems to sound horribly forced and phoney when I try to talk it. The "accent" goes with it. Call it Broad Australian, or the Australian drawl, or whatever.

Now here's the thing. At least in younger Australians, I think this drawling, laconic way of talking mimics the tones of sarcasm. Think of the comedian Dave Hughes for the sort of voice I am talking about. I don't think it's meant sarcastically, but it registers on my ears as sarcasm.

So here is what happens. I go to one of these places where there are all these strong men working with their hands. I fumble about my business, which they know much better than I do, feeling all the time like an effete asshole, and imagining that this is how they perceive me, which they probably do. This puts me generally in a paranoid frame of mind. Now what inevitably happens is this: one of these men will use their favourite phrase, which is:

"No worries, mate."

Here is what I hear:

"No worries, mate."

See the difference?

The guy who helped me was nice - at least, I think he was, but I felt like a fool the whole time I was there. After I'd bought the shelves they were all piled up for me and I began taking them out to the car. I took them out four shelves at a time. After I was about halfway through the guy I'd been talking to, who had already said goodbye, came over and more or less picked up the rest, threw them up on his shoulder, and without a word took them out to my car.

"Thanks," I said, sheepishly.

"No worries, mate."

I think the jumbo dollar sale will be starting on Saturday. Mention this blog and receive a discount of up to one hundred percent, depending on how much I like you.

Sunday, March 11, 2007

At my apartment building, they like to put up signs















































Friday, March 09, 2007

Greetings from SERBIA!

ADDED: Apparently my failure to contextualize has confused people a little. This was an email we got at work - I just liked the Berlitz quality of formal construction combined with an orderly mind and slightly askew English. As Tim said, it brings to mind a small village that's just got a single internet connection which has excited the whole town with its possibilities. I wasn't making fun of Nebojsa - I wish every email we got was as polite as this. Also, I don't seem to feel much like blogging, although I'm still writing a lot, so I thought some found art might fill the gap.


Dear Sir/Madam,

Hello from SERBIA. My name is Nebojsa and I'm very much interested in purchasing a book from your stock. The book title is as follows:

The Encyclopedia of Reading Tea Leaves, by Helen Simpson

The purchase on my behalf would be carried out by a friend of mine who lives in Belgium. Yet, I have a few questions for you.

1. Do you have above given title in your stocks?
2. Can the purchase be carried out directly from your site.
3. Do you ship your books to Europe?
4. If yes, what would be the approximate costs of shipping the book to SERBIA?

I thank you very much in advance for your kind hep in this matter. I really need this book and would be very happy if you can help me.

Yours gratefully,

Nebojsa

Sunday, March 04, 2007

Update

When I finished that last blog entry I realized I'd finally pushed from the main page the last of my bad, deleted entries from October-November. It made me look at what I'd done. In two months I'd written 16,000 words, and when I looked at them as a totality it felt complete - the story of me and a season, of rediscovering writing, the city, the thoughts and memories those things brought out. I liked quite a bit of it; it had been good for me to write it. It raised the question of what next - did I want to keep doing it? I could have gone on, but I felt sooner or later - probably sooner - the quality would drop. I felt I was starting to develop a particular voice for it and a sort of template that I could use over and over again, and if I did that it would start to become less truthful, more fictional. And I was still uncomfortable with so much public revelation. I've twice had people come in to the shop and say "Are you Nicholas? I read your blog." That's an unsettling moment - to be staring at a stranger who knows so much about you and has all these preconceptions about you, and you know nothing about them...

I thought of making a zine of what I'd written, putting it back in chronological order, tidying it up and making it a unified whole. I felt it was more significant than just a series of blog entries, and deserved to be its own thing. But I've always felt there was something not quite kosher about making zines from blog entries - a bit like novelizations of movies - so in the end I didn't.

It was a product of a time, a bunch of feelings, a frustration at myself for not having written as well as I would have liked. I guess it belongs to the ether now. I hope people liked it.

I haven't forgotten the lessons, but I'm still thinking about what I want to do now with this blog. Still, I felt I should update. We've started packing up the store, and by the start of May I won't have a retail shop anymore. It raises some complex feelings in me - it is so clear a demarkation of the end of one part of my life and the start of a new one. Despite my often expressed frustrations and desire for change, Plup has been good to me and there are things about it I'll miss. I might write some more about this soon. At the moment it is difficult, there is lots to organize and it's the sort of administrative stuff I'm not particularly good at. I don't feel quite as good as I did in January, when my head felt clear and my course certain, and I'm awfully tired - apart from administrative things the main thing I seem to do is move heavy boxes of books - but I'm still swimming at night, and writing, when I can.